Princess Diana’s Death and Memorial: The Occult Meaning

 By VC | April 13th, 2009

Why did Elton John dub Lady Di “England’s Rose”? Was it because she was beautiful or because the rose has a deep occult meaning? This article explores the numerous occult symbols used in the memorials to Diana’s memory. To occultists, Diana wasn’t simply a princess, she represents the Sacred Feminine. 

Lady Diana was often considered by the media as the “People’s Princess”. Loving, caring and beautiful, she possessed all the attributes to become a subject of idolatry. And so she became. Images of her taking care of poor children in Africa or speaking against landmines have struck the imagination of the whole world. Time Magazine said about her:

“Diana was beautiful, in a fresh-faced, English, outdoors-girl kind of way. She used her big blue eyes to their fullest advantage, melting the hearts of men and women through an expression of complete vulnerability. Diana’s eyes, like those of Marilyn Monroe, contained an appeal directed not to any individual but to the world at large. Please don’t hurt me, they seemed to say. She often looked as if she were on the verge of tears, in the manner of folk images of the Virgin Mary.”

Similarly to the Virgin Mary, Diana had (and still has) legions of followers, worshipping her giving nature and her maternal energy. In other words, she seems to fulfil the almost inherent need in human beings to worship a female goddess, giver of life and filled with compassion. The media has been a key actor in the creation of this icon by documenting every detail of her fairytale wedding, her troubled marriage, her humanitarian activities and, finally, her untimely death. Was Diana picked and groomed to become a sort of a “modern day Goddess” to ultimately be sacrificed, in accordance with ancient pagan practices? This might sound preposterous to the average National Inquirer reader, but not to the connoisseur of the occult practices of the world elite. Furthermore, numerous clues and symbols have been placed by this group to subtly commemorate the occult nature of Lady Di’s death. We will not go into details concerning her assassination, there are tons of sites and books discussing it. We will rather focus on the symbols that have surrounded the events of her death and memorial, which are the signature of the occult elite. These are visible to everybody yet only recognizable by those who have “eyes to see and ears to hear”.

Diana has been elevated to the level of Goddess in order to become the object of ritual sacrifice. This practice has been carefully planed by a secret group of illuminated people, often referred to as the “Illuminati”. It comprises world leaders such as the British Monarchy and they are known to be DEEPLY versed into dark occult rituals. If you have difficulty believing this, remember that the Nazis were in full force less than 60 years ago, displaying everywhere the esoteric symbol of the swastika, organizing massive occult rituals and bringing back pagan Germanic imagery .

The Goddess Diana

In Roman mythology, Diana was the goddess of nature, childbirth, hunting and the protector of the weak. She is the equivalent of the Greek goddess Artemis and she represents the Sacred Feminine, the female aspect of deity. Princess Diana bore the same attributes by being a protector of the environment, taking care of the weak in her missions in third world countries and by giving birth to the future heirs of England’s throne. Oak tree groves were especially sacred to the Goddess Diana. In Roman times, Diana’s groves and sanctuaries were always in the wild, outside of the boundaries of the city. Such hidden temples were found all across Europe. To further the resemblance with the Goddess bearing her name, Lady Diana was buried in a grove in her home town (more on this later). The Goddess Diana is often depicted with deers and doves.

The female principle is often represented by the moon, where the Moon goddess is opposite to the Sun god . The feminine energy is also commonly associated with the planet Venus, represented in symbolism by a five petal flower – the rose. The goddess figure appears unmistakably in all religions, even in Christianity as the Virgin Mary. These symbols representing the female deity exist since prehistoric times and were preserved and diffused through pagan mysteries and through mystic Judeo-Christian teachings. Today’s students of the occult easily recognize and interpret those symbols. We will later explain how they have been used to associate Lady Di with the concept of the sacred feminine.

Pont d’Alma Tunnel, the Sacrificial Site

As you might know, Princess Diana died in a limousine “accident” inside the Pont d’Alma tunnel, in Paris. Her vehicle was supposedly chased by paparazzi who caused the world-class chauffeur to lose control due to his inebriated state after consuming alcohol. We can argue for days about the theories concerning these events, but this is not the purpose of this article. The truth lies in the symbols placed on purpose for the initiates to recognize. One of them is the actual site where Diana lost her life, the Pont D’Alma Tunnel.

The city of Paris was built by the Merovingians, a medieval dynasty which ruled France for numerous generations. Before converting to Christianity, the Merovingian religion was a mysterious brand of paganism.

“ …the Merovingian kings, from their founder Merovee to Clovis (who converted to Christianity in 496) were ‘pagan kings of the cult of Diana’.”   -Clive Prince, The Templar Revelation

The Pont D’Alma Tunnel was a sacred site dedicated to the Moon Goddess Diana, where they used to practice ritual sacrifices. During those ceremonies, it was of an utmost importance that the sacrificed victim died inside the underground temple. The assassination of Diana was a reenactment of this ancient pagan tradition. Shortly after Diana was killed, Rayelan Allan (a researcher of esoteric history since the early 1970′s, who was also married to Gunther Russbacher, a deep cover CIA/ONI operative) wrote an article called “Diana, Queen of Heaven”. The article was picked up by numerous newspapers across the United States and Europe. Several authors who have written books about the death of Princess Diana used Rayelan’s article as reference. However, no one fully understood the deeper meaning of the article. Therefore, Rayelan decided to expand it into a book. The book states that in pre-Christian times, the Pont d’Alma area had been the site of a pagan temple of the goddess Diana and a direct gateway to heaven. Mindful of this safety net, the place was chosen by the Merovingian kings (AD500-751) to fight their duels, with the loser going directly to paradise. ”Pont” means “bridge” and “Alma” means “soul” and for Merovingians, the site was a bridge across the “river of souls”. So, Pont de L’Alma, the site of the accident which killed Princess Diana, means “Bridge of the Soul.”

The Memorial Torch of Pont d’Alma

If you know a little about occult symbolism, a torch mounted on a black pentagram might make your radar go off. The torch is the ultimate symbol of the illuminated (people that have acquired the secret knowledge of the occult order). This torch is an exact replica of the one being held by the Statue of Liberty and was placed there in 1989 as a gift. So this wasn’t placed as a tribute to Princess Diana but it has become, over time, the unofficial memorial. The torch has reached this status because of its location, which is right on top of the Pont d’Alma Tunnel. After Di’s death, several memorial notes and flowers were placed, encouraging the general population to adopt this occult landmark as a memorial. Some even say that this torch was placed on purpose as an indicator of the location of this planned assassination. Whatever the case be, the symbol of the torch or the eternal flame has been used in other high profile killings, i.e. the JFK tombstone.

Lady Di Memorials and Rose Symbolism

Located in London, England, the park dedicated to Princess Diana contains an oval shaped fountain and a sanctuary. The most significant symbol can however be found on the ground:

We see here Diana represented by a five petal flower (rose) , the classic occult symbol to represent female energy. Here’s what Wikipedia has to say about it:

“The cinquefoil (from the french, five-part) is a five petalled rose found in Christian symbolism of the Middle Ages. The five-petalled rose is often found affixed to the tops of Gothic arches, the vesica pisces-shaped doorways and windows thought to represent the womb of Mary. Some historians have speculated that the rose in Gothic architecture is a secret symbol of the feminine principle, one of a multitude of hermetic symbols found in these churches.The symbol itself dates back to Roman times, where it was called the ‘Rose of Venus.’ The rose, with its characteristic five petalled shape mimicked the pentagrammatic path traced by the planet Venus in the night sky. This, combined with the flower’s natural beauty, made it an obvious symbol of the Goddess of love.”

The five-petal flower, the rose, the five-pointed star, the moon and Venus can all represent the female principle when we study occult symbolism. The huge rose window of Notre-Dame de Chartres in Paris represents the Virgin Mary (Notre-Dame means “Our Lady”). The symbol of the planet Venus (♀) is also used to represent the female sex . The moon is also associated with the female principle because it absorbs light from the sun (receptacle) and it has an effect on the tides of water (humidity=femininity). Those associations have existed since the beginnings of time and take their roots in ancient paganism.

There is a blatant effort to associate Princess Diana with the symbols of female deity through the symbols used to commemorate her life. The rose is used to represent Diana in numerous instances:

Memorial coin from Royal Mint:

Memorial Garden in Paris

February 14, 2001 — PARIS, France (CNN) — A garden dedicated to the memory of Britain’s Princess Diana has been officially opened in Paris. French officials say the flower beds — France’s official memorial to the Princess — will eventually bloom, providing a place for children to learn about flowers, plants, vegetables and respect for the environment. But critics have scoffed at the project, laid out in a school courtyard, dubbing it “1,000 square metres of leeks.” “Through this place I wanted to pay tribute to a woman whose generous heart showed her deep fondness for nature and human relations, particularly with children,” Paris mayor Jean Tiberi said as he opened the garden on Wednesday.

Diana — the former wife of Britain’s heir to the throne, Prince Charles — died in Paris in August 1997. She was in a car which crashed at high speed while being pursued by photographers. Her companion, Dodi Fayed, and their driver, Henri Paul, were also killed. But Diana’s name is the only one featured on a plaque outside the memorial garden, in the central Marais district of Paris. One local councillor complained that the princess deserved a grander honour than a “vegetable plot.” But British officials have enthusiastically endorsed the site. “There could be no better tribute to her memory than a garden where young children can play and learn about nature,” said Michael Jay, Britain’s ambassador to France.

Memorial Medallion

So the association of Princess Diana’s memory with the rose, the occult symbol of female deity is used ad-nauseam. Maybe this is why Elton John has dubbed Lady Di “England’s rose”. To regular-minded people, those associations are insignificant but to initiates of the occult, symbolism is EVERYTHING.

Diana’s Burial Site

The original plan was for Diana to be buried in the family vault at the local church in Great Brington but this was changed by her brother, Earl Spencer. He said he was concerned about public safety and security and wanted his sister to be buried where her grave could be looked after properly and visited in privacy by her sons. In actuality, Diana was buried in a grove to further her resemblance with the Goddess Diana. The actual area for her burial is on an island in an ornamental lake known as The Oval within Althorp Park’s Pleasure Garden (is there any relation with the oval-shaped fountain in the Lady Di memorial Park?). An ancient arboretum stands nearby, which contains trees planted by Prince William and Prince Harry, other members of her family and the princess herself. Here are pictures of her burial site.

Note the flaming torch on her tombstone. The burial site of Diana cements her association with the ancient Goddess Diana who was worshipped in recluse groves outside of urban areas.

Memorial at Harrod’s Store

This is the 1st memorial dedicated to the unfortunate couple, on display at Harrods – a huge department store located in London. The store also happens to be owned by Dodi’s father. The symbolism here is extremely esoteric and significant. It surely deserves an in-depth analysis. 

The yoni and phallus were worshipped by nearly all ancient peoples as appropriate symbols of God’s creative power. The Garden of Eden, the Ark, the Gate of the Temple, the Veil of the Mysteries, the vesica piscis or oval nimbus, and the Holy Grail are important yonic symbols; the pyramid, the obelisk, the cone, the candle, the tower, the Celtic monolith, the spire, the campanile, the Maypole, and the Sacred Spear are symbolic of the phallus.   -Manly P. Hall

First, we see pictures of Lady Diana and Dodi Al-Fayed in two interlocking circles. In occultism, the name for the two interlocking circles is “vesica piscis” and represents feminine energy. John Yarker interprets this ancient symbol in his book “The Arcane Schools”:

The Vesica Piscis, two interlinked circles, is also known as “the Yoni”. The name “yoni” refers to the middle portion of the interlocking circles, is derived from the Sanskrit meaning, “divine passage”. That the yoni is the feminine, the yoni should be viewed such that the divine passage becomes a correlation to sex, or male/female union. It is this correlation, and its relation to rebirth and regeneration that remains a basic truth at the very core of Occult structural foundations.

The pointed oval is a universal symbol of the Divine Feminine and in this context the vesica piscis is the vulva of the Goddess, surrounded by the crescents of the waxking and the waning moon. This is yet another powerful symbol to associate Princess Diana with the female goddess principle. The vesica piscis was used by ancient pagans to represent the goddess Venus and was found in churches.

Below the pictures we find a pyramid with a capstone flanked by two candles (pillars). Look closely inside the pyramid:

It contains the wine glass – still bearing lipstick traces – used by Lady Di on her last supper. The symbol of the empty vase within a pyramid is another powerful image representing the union of the masculine and feminine principles. The wine glass carries the same meaning as the Holy Grail: the sacred feminine.

What more feminine symbol is there than the image of the vessel, the sacred womb of the mother? In patriarchal times, the Grail legends speak to the deepest parts of our souls in an archetypal quest for the feminine aspects of divinity.

In more abstract symbolism, a triangle pointing upwards represents the phallus and masculinity while a triangle pointing downwards represents the vagina, the womb, the receptacle and femininity. Therefore, in this memorial we have a feminine symbol within a phallic symbol. The Goddess Diana joining with the masculine - Dodi. This union is further represented by the engagement ring (given by Dodi the night before their death) placed underneath the wine glass.

Memorial Statue at Harrods

This bronze statue is very odd. If the official cause of death of Diana and Dodi is a car accident, why does it say “Innocent Victims”? What were they victims of? Drunk driving? Or did we mean that they were innocent victims of a sick occult ritual? More probable. Notice under Dodi’s foot is a dead bird. What does it represent?

To Conclude

What is the purpose of elevating Diana to the level of goddess through mystic symbolism? Numerous theories state that one of Diana’s sons will eventually become the much prophesied Antichrist. Are we making Diana the Virgin Mary of the Antichrist? Is the assassination of Diana, the “Moon Goddess” the response to JFK, the “Sun God” ‘s death? Was she part of a blood ritual due to the royal status of her family’s genealogy? Is the Queen of England actually a reptilian creature that can shape-shift into a 6 foot tall lizard? You can google any of these theories and you’ll find more essays than you can read. I have no proof about any of them so I won’t give a definite answer. One thing is for sure, symbols do not lie. Diana has been surrounded with the world’s most powerful people, and these people have deep knowledge of the occult. Initiates are fully aware of the fact that symbolism is the only true language of humanity and it can only be understood by those who are worthy. Diana’s memorials are PACKED with blatant symbolism, all referring to the same concept of female divinity. The symbols presented in this report weren’t destined to the average population, who still think that Diana died in a car accident. These esoteric codes serve the purpose of the elite, who carry out its rituals according to the secret knowledge it possesses.

This article has very summarily covered very deep and intricate symbols, each of which can be further studied. If you are unfamiliar with concepts discussed here, do yourself a favor and learn the language of the powerful.

New World Order

The Occult Roots of The Wizard of Oz


By VC | October 8th, 2009 


With its memorable story and its cast of colorful characters, the Wizard of Oz quickly became an American classic. More than a hundred years after the release of this book, kids everywhere are still enchanted by Oz’s world of wonder. Few, however, recognize that, under its deceptive simplicity, the story of the Wizard of Oz conceals deep esoteric truths inspired by Theosophy. Here we’ll look at the Wizard of Oz’s occult meaning and its author’s background.

Although the Wizard of Oz is widely perceived as an innocent children’s fairy tale, it is almost impossible not to attribute a symbolic meaning to Dorothy’s quest. As in all great stories, the characters and the symbols of the Wizard of Oz can be given a second layer of interpretation, which may vary depending on the reader’s perception. Many analyses appeared throughout the years describing the story as an “atheist manifesto” while others saw it as a promotion of populism. It is through an understanding of the author’s philosophical bckground and beliefs, however, that the story’s true meaning can be grasped.

L. Frank Baum, the author of the Wizard of Oz was a member of the Theosophical Society, which is an organization based on occult research and the comparative study of religions. Baum had a deep understanding of Theosophy and, consciously or not, created an allegory of Theosophic teachings when he wrote the Wizard of Oz.

What is Theosophy?

The Theosophical Society is an occult organization, mainly based on the teachings of Helena P. Blavatsky, which seeks to extract the common roots of all religions in order to form a universal doctrine.

“But it is perhaps desirable to state unequivocally that the teachings, however fragmentary and incomplete, contained in these volumes, belong neither to the Hindu, the Zoroastrian, the Chaldean, nor the Egyptian religion,.neither to Buddhism, Islam, Judaism nor Christianity exclusively. The Secret Doctrine is the essence of all these. Sprung from it in their origins, the various religious schemes are now made to merge back into their original element, out of which every mystery and dogma has grown, developed, and become materialized.”  -H.P. Blavatsky, The Secret Doctrine

The three declared objects of the original Theosophical Society as established by Blavatsky, Judge and Olcott (its founders) were as follows:

“First — To form a nucleus of the Universal Brotherhood of Humanity, without distinction of race, creed, sex, caste, or color.
Second — To encourage the study of Comparative Religion, Philosophy, and Science.
Third — To investigate the unexplained laws of Nature and the powers latent in man.”  -The Theosophist, vol 75, No 6

H.P. Blavatsky

The main tenets of Theosophy are thoroughly described in Blavatsky works Isis Unveiled and The Secret Doctrine. At the core of Theosophical teachings are the same tenets found in many other occult schools: the belief of the presence of a “divine spark” within every person which, with the proper discipline and training, can lead to spiritual illumination and a state of virtual godliness.

Another important principle found in Theosophy is reincarnation. It is believed that the human soul, like all other things in the universe, go through seven stages of development.

“Theosophical writings propose that human civilizations, like all other parts of the universe, develop cyclically through seven stages. Blavatsky posited that the whole humanity, and indeed every reincarnating human monad, evolves through a series of seven “Root Races”. Thus in the first age, humans were pure spirit; in the second age, they were sexless beings inhabiting the now lost continent of Hyperborea; in the third age the giant Lemurians were informed by spiritual impulses endowing them with human consciousness and sexual reproduction. Modern humans finally developed on the continent of Atlantis. Since Atlantis was the nadir of the cycle, the present fifth age is a time of reawakening humanity’s psychic gifts. The term psychic here really means the realization of the permeability of consciousness as it had not been known earlier in evolution, although sensed by some more sensitive individuals of our species.”

The ultimate goal is of course to return to the state of divinity from which we’ve emerged. The same tenets (with subtle variations) can be found in other schools such as Rosicrucianism, Freemasonry and other orders teachings the Mysteries.

L.Frank Baum, a Notable Theosophist

Before writing the Wizard of Oz (or even contemplating becoming a children’s story author), Baum held many jobs – one of which was editor of the Aberdeen Saturday Pioneer. In 1890, Baum wrote a series of articles introducing his readers to Theosophy, including his views on Buddha, Mohammed, Confucius and Christ. At that time, he wasn’t a member of the Theosophical Society but he already showed a deep understanding of its philosophy. Here’s an excerpt of his “Editor’s Musings”:

“Amongst various sects so numerous in America today who find their fundamental basis in occultism, the Theosophist stands pre-eminent both in intelligence and point of numbers. Theosophy is not a religion. Its followers are simply “searchers after Truth”. The Theosophists, in fact, are the dissatisfied with the world, dissenters from all creeds. They owe their origin to the wise men of India, and are numerous, not only in the far famed mystic East, but in England, France, Germany and Russia. They admit the existence of a God – not necessarily of a personal God. To them God is Nature and Nature is God…But despite this, if Christianity is Truth, as our education has taught us to believe, there can be no menace to it in Theosophy.”  -L. Frank Baum, Aberdeen Saturday Pioneer, January 25th 1890

In another of his “Editor’s Musings”, Baum discusses the use of mystic symbolism in fiction, something he accomplished ten years later with the Wizard of Oz:

“There is a strong tendency in modern novelists towards introducing some vein of mysticism or occultism into their writings. Books of this character are eagerly bought and read by the people, both in Europe and America. It shows the innate longing in our natures to unravel the mysterious: to seek some explanation, however fictitious, of the unexplainable in nature and in our daily existence. For, as we advance in education, our desire for knowledge increases, and we are less satisfied to remain in ignorance of that mysterious fountain-head from which emanates all that is sublime and grand and incomprehensible in nature.”

At the end of this article, Baum goes into an all-out plead for more occultism in literature:

“The appetite of our age for occultism demands to be satisfied, and while with the mediocrity of people will result in mere sensationalism, it will lead in many to higher and nobler and bolder thought; and who can tell what mysteries these braver and abler intellects may unravel in future ages?”  -L. Frank Baum, Aberdeen Saturday Pioneer, February 22nd 1890

Two years after writing those articles, L. Frank Baum and his wife Maud Gage joined the Theosophical Society in Chicago. The archives of the Theosophical Society in Pasadena, California recorded the start of their membership as September 4th, 1892. In 1890, the Wizard of Oz was published. When asked about how Baum got his inspiration for the story, he replied:

“It was pure inspiration…It came to me right out of the blue. I think that sometimes the Great Author has a message to get across and He has to use the instrument at hand. I happened to be that medium, and I believe the magic key was given me to open the doors to sympathy and understanding, joy, peace and happiness.”   -L. Frank Baum, cited by Hearn 73

The Wizard of Oz is much appreciated within the Theosophical Society. In 1986, The American Theosophist magazine recognized Baum as a “notable Theosophist” who thoroughly represented the organization’s philosophy.

“Although readers have not looked at his fairy tales for their Theosophical content, it is significant that Baum became a famous writer of children’s books after he came into contact with Theosophy. Theosophical ideas permeate his work and provided inspiration for it. Indeed, The Wizard can be regarded as Theosophical allegory, pervaded by Theosophical ideas from beginning to end. The story came to Baum as an inspiration, and he accepted it with a certain awe as a gift from outside, or perhaps from deep within, himself.”  -American Theosophist no 74, 1986

So what is the esoteric meaning of this children’s story, which came to Baum as a “divine inspiration”?

The Occult Meaning of The Wizard of Oz

Path to Illumination

If you’ve never read or watched The Wizard of Oz or need your memory refreshed, here’s a quick sum-up of the movie:

The film follows 12-year-old farmgirl Dorothy Gale (Judy Garland) who lives on a Kansas farm with her Aunt Em and Uncle Henry, but dreams of a better place “somewhere over the rainbow.” After being struck unconscious during a tornado by a window which has come loose from its frame, Dorothy dreams that she, her dog Toto and the farmhouse are transported to the magical Land of Oz. There, the Good Witch of the North, Glinda (Billie Burke), advises Dorothy to follow the yellow brick road to the Emerald City and meet the Wizard of Oz, who can return her to Kansas. During her journey, she meets a Scarecrow (Ray Bolger), a Tin Man (Jack Haley) and a Cowardly Lion (Bert Lahr), who join her, hoping to receive what they lack themselves (a brain, a heart and courage, respectively). All of this is done while also trying to avoid the Wicked Witch of the West (Margaret Hamilton) and her attempt to get her sister’s ruby slippers from Dorothy, who received them from Glinda.

The said above, the entire story of the Wizard of Oz is an allegorical tale of the soul’s path to illumination – the Yellow Brick Road. In Buddhism (an important part of Theosophical teachings) the same concept is referred to as the “Golden Path”.

The story starts with Dorothy Gale living in Kansas, which symbolizes the material world, the physical plane where each one of us starts our spiritual journey. Dorothy feels an urge to “go over the rainbow”, to reach the ethereal realm and follow the path to illumination. She has basically “passed the Nadir” by demonstrating the urge to seek a higher truth.

Dorothy is then brought to Oz by a giant cyclone spiraling upward, representing the cycles of karma, the cycle of errors and lessons learned. It also represents the theosophical belief in reincarnation, the round of physical births and deaths of a soul until it is fit to become divine. It is also interesting to note that the Yellow Brick Road of Oz begins as an outwardly expanding spiral. In occult symbolism, this spiral represents the evolving self, the soul ascending from matter into the spirit world.

The spiraly beginning of the spiritual path

Here’s an explanation of the spiral as an occult symbol:

“Spiral: The path of a point (generally plane) which moves round an axis while continually approaching it or receding from it; also often used for a helix, which is generated by compounding a circular motion with one in a straight line. The spiral form is an apt illustration of the course of evolution, which brings motion round towards the same point, yet without repetition.

The serpent, and the figures 8 and , denoting the ogdoad and infinity, stand for spiral cyclic motion. The course of fohat in space is spiral, and spirit descends into matter in spiral courses. Repeating the process by which a helix is derived form a circle produces a vortex. The complicated spirals of cosmic evolution bring the motion back to the point from which it started at the birth of a great cosmic age.”   -The Encyclopedic Theosophical Glossary

Before undertaking her journey, Dorothy is given the “silver shoes”, which represent the “silver cord” of Mystery Schools (Dorothy was wearing ruby slippers in the movie due to a last minute change by the director, who thought that the color ruby looked better against the Yellow Brick Road). In occult schools, the silver cord is considered to be the link between our material and spiritual selves.

“In Theosophy, one’s physical body and one’s Astral body are connected through a “silver cord”, a mythical link inspired by a passage in the Bible that speaks of a return from a spiritual quest. ‘Or ever the silver cord be loosed, says the book of Ecclesiastes, ‘then shall the dust return to the earth as it was and the spirit shall return unto God who gave it’.

In Frank Baum’s own writing, the silver cord of Astral travel would inspire the silver shoes that bestow special powers upon the one who wears them”   -Evan I. Schwartz, Finding OZ: How L.Frank Baum Discovered the Great American Story

During her journey along the Yellow Brick road, Dorothy encounters Scarecrow, Tin Woodman and Cowardly Lion who are respectively searching for a brain, a heart and courage. Those odd characters embody the qualities needed by the initiates in order to complete their quest for illumination. Baum was probably inspired by these words from Miss Blavatsky:

“There is no danger that dauntless courage cannot conquer, there is not trial that a spotless purity cannot pass through; there is no difficulty a strong intellect cannot surmount”   - H.P. Blavatsky

After surmounting many obstacles, the party finally reaches Emerald city in order to meet The Wizard.

The Wizard

Surrounded by artifices and special effects, the Wizard comes across as cruel, rude and unwise. The Wizard is in fact a stand-in for the personal God of the Christians and the Jews, the oppressive figure used by conventional religions to keep the masses in spiritual darkness: Jehova or Yahwe. It is later discovered that the Wizard is a humbug, a charlatan, who scares people into worshipping his Wizard. He surely could not help the characters complete their quest. If you read literature of Mystery schools, this point of view towards Christianity is constantly expressed.

Oh no you didn’t, Wizard 

After all is said and done, the brains, the heart and the courage needed to complete Dorothy, Scarecrow, Tinman and Lion’s quests were found within each one of them. Mystery Schools have always taught their students that one must rely on oneself to obtain salvation. Throughout the story Dorothy’s dog Toto represents her “inner voice”; her intuition. Here’s a description of Toto taken from the Theosophical Society’s website:

“Toto represents the inner, intuitive, instinctual, most animal-like part of us. Throughout the movie, Dorothy has conversations with Toto, or her inner intuitive self. The lesson here is to listen to the Toto within. In this movie, Toto was never wrong. When he barks at the scarecrow, Dorothy tries to ignore him: “Don’t be silly, Toto. Scarecrows don’t talk.” But scarecrows do talk in Oz. Toto also barks at the little man behind the curtain. It is he who realizes the Wizard is a fraud. At the Gale Farm and again at the castle, the Witch tries to put Toto into a basket. What is shadow will try to block or contain the intuitive. In both cases, Toto jumps out of the basket and escapes. Our intuitive voice can be ignored, but not contained.

In the last scene, Toto chases after a cat, causing Dorothy to chase after him and hence miss her balloon ride. This is what leads to Dorothy’s ultimate transformation, to the discovery of her inner powers. The balloon ride is representative of traditional religion, with a skinny-legged wizard promising a trip to the Divine. Toto was right to force Dorothy out of the balloon, otherwise she might never have found her magic. This is a call for us to listen to our intuition, our gut feelings, those momentary bits of imagination that appear seemingly out of nowhere.”

As stated above, the fake Wizard invites Dorothy into his balloon to go back to Kansas, her final destination. She however follows Toto (her intuition) and gets out of the balloon, which represents the empty promises of organized religions. This leads to her ultimate revelation and, with the help of the Good Witch of the North (her divine guide), she finally understands: everything she ever wanted could be found “in her own backyard”.

In order to obtain illumination Dorothy had to vanquish the wicked witches of the East and the West – who were forming an evil horizontal axis: the material world. She was wise in listening to the advice of the good witches of the North and South – the vertical axis: the spiritual dimension.

The Good Witch of the North, representing Dorothy’s “divine spark”

At the end of the story, Dorothy wakes up in Kansas: she has successfully combined her physical and spiritual life. She is now comfortable being herself again and, despite her family not really believing the details of her quest (the ignorant profane), she can finally say “There is no place like home”.

The Wizard of Oz Used in Monarch Mind Control

Almost all documentation relating to the MK Ultra project and Mind Control mention the importance of the Wizard of Oz. In the 1940′s, the story was reportedly chosen by members of the US intelligence community to provide a thematic foundation for their trauma-based mind control program. The movie was edited and given a different meaning in order to use it as a tool to reinforce the programming on the victims. Here are some examples taken from Fritz Springmeier’s Total Mind Control Slave:

The close relationship between Dorothy and her dog is a very subtle connection between the satanic cults use of animals (familiars). A Monarch slave child will be allowed to bond with a pet. The child will want to bond with a pet anyway because people are terrifying to it by this point. Then the pet is killed to traumatize the child.

Monarch slaves are taught to “follow the yellow brick road.” No matter what fearful things lie ahead, the Monarch slave must follow the Yellow Brick Road which is set out before them by their master.

The rainbow–with its seven colors-has long had the occult significance of being a great spiritual, hypnotic device.

Dorothy is looking for a place where there is no trouble, which is a place “over the rainbow.” To escape pain, alters go over the rainbow. (This is a.k.a. in Alice In Wonderland Programming as “going through the looking glass”).

“Somewhere Over the Rainbow” is probably the most dissociative song ever written and is often played in movies during violent or traumatizing events (see the movie Face-Off). The strange effect produced, where the violence doesn’t seem real anymore, is exactly how dissociation works on mind-control victims. We may also speculate that the scene where Dorothy falls asleep in a poppy field is a reference to the use of heroin to relax and manipulate the victims of mind-control. Also consider the snow falling from the sky that awakens Dorothy from her slumber. Could this be a reference to cocaine?

Does this represent heroin?

In Conclusion

Allegorical stories transmitting spiritual truths have existed since man’s beginnings. These simple yet extremely profound stories have been found in all civilizations: Celtic, Indian, Persian, Aztec, Greek, Egyptian and others. Consciously or not, Frank Baum created a classical allegory which, in the same vein as Homer’s Odyssey, entertains the masses and also contains mystical messages that can be understood by the “awakened”.

The Wizard of Oz’s great success confirms America’s (and the Western world’s) real spiritual dogma. Written during the 1890′s, when most Americans were conservative Christians, Baum’s story anticipated the population’s progressive abandonment of traditional religions and the embrace of a new form of spirituality. Today’s New Age movements are gaining many adepts and, even if most of them are total shams, they all claim to be inspired by Theosophy. Could such tales have contributed to the spectacular decline of Christianity in the past decades while other movements continue to gain momentum?

New World Order