The 'New World Order'
The 'New World Order'
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The New World Order
It's An Evil And Sinister Conspiracy That Involves Very Rich And Powerful People Who Mastermind Events And Control World Affairs Through Governments And Corporations And Are Plotting Mass Population Reduction And The Emergence Of A Totalitarian World Government!     By Using Occult Secret Societies Along With The Power Of LUCIFER The ILLUMINATI Will Bring All Of The Nations Of This World Together As One.
Predictive Programming

What is predictive programming?   Is it an invasive form of Subliminal Behavior Modification?   Alan Watt   author of   'Cutting Through The Matrix'   says that, "Hollywood is the magician's wand which has been used to cast a spell on the unsuspecting public. Things or ideas which would otherwise be seen as bizarre, vulgar, undesirable or impossible are inserted into films in the realm of fantasy. When the viewer watches these films, his/her mind is left open to suggestion and the conditioning process begins. These same movies which are designed to program the average person, can give the discerning viewer a better understanding of the workings and the plan of the world agenda."

It used to be just TV and cinema, but now 'the screen' implies a number of different media flavours and delivery formats: television, film, HD, DVD, Blue Ray, computer/console games, and also the internet and mobile media.

The control system works by keeping everyone focused on the lowest levels of the pyramid, the base levels of illusion/reality. Within this contrived paradigm, people are conditioned to believe in the synthetic culture received through their screen. Cars and football, home makeovers and cooking, gossip and reality television, etc. It all amounts to the same thing: diversion. The magician’s misdirection distracts attention while the Illuminists controls your thoughts.

The phenomenon of 'predictive programming' is heavily used on the screen. It presents and acclimatizes the public to new ideas and trends. Usually put forward in a fictional context (to circumvent issues of consent or morality), many of the events, technologies and social attitudes dipped into the collective consciousness are in fact already in the pipeline.

Taking this one step further, the screen actually seeds the imagination to manifest a pre-determined reality. Far from being the trivial plaything we are told it is, the imagination illustrates, energizes and manifests the world around us, whether we acknowledge it or not. It is the portal through which we receive thoughtforms. The imagination directly formulates our experience of reality, as strongly now as it did when we were five years old.

They want our imagination to mirror the incoming data stream. Output only what is input. With the adult mind discouraged from connecting with reality through actual felt experience, input is predictably derived from the mainstream media. The reality blueprint is transmitted, electronically and literally, from the screen.

Film, perhaps more than any other media, has the distinct capacity to convey the viewer into lush territories of hyper-articulated pre-imagined fantasy, far from the habitual consensus vision of boring normality. It differs from literature in the sense that its fantasy articulations (CGI, sets, costumes, etc.) are entirely prepackaged and do not require your imagination to create anything. The control system knows that the subtle psychoactive trigger of 'watching a film' reinforces the escapist impulse in the mind. And how pleasurable it can sometimes be. However, the screen voyager is rarely aware of the gravity of their undertaking. Every pixel, frame, syllable, sound and byte of information is imprinted into the psyche of the individual. Watching a movie, no matter how passive or engaged we may feel, is an act of imaginal sorcery, and the reality modifications invoked are not aligned with the will of the viewer, but others. If and when these changes are put through, the public will already be familiarized with them and will accept them as 'natural progressions'; thus lessening any possible public resistance and commotion.

Predictive programming involves using the power of suggestion through a media of fiction to create a desired outcome.

And it's believed that public media (such as films, television, news casts, etc.) are deliberately seeded with subtle clues to future social, political, or technological changes. And when the relevant change is later introduced into the world, the public has already become used to the idea through exposure, and therefore passively accepts it rather than offering resistance or opposition. Predictive programming is therefore thought to be a means of propaganda or mass psychological conditioning that operates on a subliminal level.

One example is the film "The Hunger Games: Catching Fire" which depicts a totalitarian government ruling over the shattered remnants of the United States. The predictive programming theory would predict that if such a government were to arise, people would be less likely to resist it and more likely to accept it based on their exposure to the film. By using predictive programming, mere exposure to a concept induces acquiescence to it.

Another example is when the words "Sandy Hook" on a map is featured for a moment in the 2012 Batman film "The Dark Knight Rises". Also, there were many depictions of the destruction of the World Trade Center in films and tv as a form of predictive programming, preparing the public to accept the September 11th attacks.

Read  9/11 Predictive Programming;   and   Illuminati Manipulating Humanity With Predictive Programming;   and then check out these youtube videos.   Family Guy - Boston Marathon and Robin Williams   and   9/11 IN HOLLYWOOD BEFORE 9/11.